Hurv
KRCD-26: Historic recordings of Swedish Folk Music III - Fäbodmusik
från Malung
The Magic Music of
the Forests
Swedish
pastoral music as we still know it in our modern times reflects a deep
knowledge of the mentalities of the different animals and a respect for
them as species and individuals. Its language consists of simple words
to suit the animals' understanding, and sounds chosen to suit the animals'
different temperaments and mentalities.
The scarcity
of arable land in Scandinavia and the short growing season due to a cold
climate are important reasons for grazing cattle far away from the home
farm. The richest lands closest to home were used for crops for human
consumption, and for hay for winter fodder, and so one had to go further
away to find pasture for the livestock, to woodland meadows and grass-covered
wetlands. These excursions extended so far that one had to spend the night
out in the forest, houses were built for these overnight stays, and here
we have the beginnings of an organized system of summer pasture, or 'shieling'
as it was known in Scotland.
The herdswomen
followed the livestock to keep them from trespassing on others' pastures
or damaging the forest, and because of the threat from predatory animals.
At night the livestock
were called by horn-blowing or herding-calls; the animals were so used
to these signals that they would almost always make their way home when
they heard this music.
The life
of the shielings was hard - there was milking to be done and the making
of dairy products from morning to night - but old herdswomen often say
how agreeable it was when the pace of life was only set by the rhythm
of nature and animals. An older, experienced woman would be in charge
of a shieling, and the shepherds would be those who were not needed at
home, often children and young people.
Sometimes
something went wrong: then you had to go out searching for them, and a
system of musical signals was used to communicate when the animals had
come home or been found. There were dangers out in the forest - wolves
and bears, not to mention trolls, fairies and other supernatural beings.
In our secure lives, it is easy to forget how young girls far away in
the forest would have felt, living at the mercy of Nature from May to
September, far from the rest of the community.
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Perhaps
the most striking aspect of this music is the positive effect
it has on your mood. It's not only that this is one of the
most special kinds of music in the world - and might one even
say the most beautiful?: it's also that you constantly find
yourself wrapped in a wave of warm and good-hearted feelings.
Here are people who sing and talk to their protegées,
their livestock, and they do it by means of the 'language
of the animals', a language which the cows, the goats and
the sheep have learnt to understand throughout the centuries.
It reminds one not a little of how a mother talks and sings
to her babies: and surely that's how these women saw their
animals as they led them out to pasture.
In
selecting tracks, priority has been given to the oldest known
recordings. All those contributing were at the time of recording
active in the environment where the music belongs, and several
were actually recorded at work. The booklet contains 20 pages
of valuable notes each in English and in Swedish, as well
as rare archive photos from the shielings of Malung parish.
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