Hurv KRCD-38: Accordion Players från Dalarna in Sweden
Commerical recordings from 1909-48
The accordion caught on early in Dalarna. The first newspaper advertisement is from 1856, and told that the instrument was for sale from a shop in Falun. From the 1870s onwards, the accordion seems to have become very common. When Carl Jularbo, Sweden’s greatest popular artist of all times, picked out his first notes on his father’s accordion in the kitchen at the age of five, there was already an accordion tradition of several decades. Carl Jularbo used much of the repertoire that was played by the local musicians of the older generations when he had become an established recording artist. The popularity of the old hambo polskas, polkas, waltzes and hambo polkas was remarkably enduring, and lasted long into the era of gramophone records. Gramophone records became increasingly popular in Sweden from the early 20th century onwards. The first accordion artist to make a gramophone recording was the renowned Oscar Sundquist (1882-1958), who lived in Stockholm. His debut was in 1906, and four years later it was followed by a large number of gramophone recordings with his younger brother Ragnar Sundquist (1892-1951), who later became even more famous. A number of accordion players from Dalarna were recorded early, but Carl Jularbo was not the first. Instead it was Arvid Granström from Korsnäs near Falun, who in 1909, at the age of 22, got to make two records for the company Grammophone Concert Record in Stockholm. Many players from Dalarna followed him: Jularbo made his debut in 1913, Hugo Johansson from Korsnäs in 1916, the brothers Erik (1916) and Carl (1919) Gylling from Grängesberg, Carl Gustaf Johansson, "The King of Säter" and Edvin Andersson from Avesta (around 1920) and Andrew Russel (end of the 1920s).
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